Composer Jonathan Berger recently penned How Music Hijacks Our Perception of Time, a delightful examination of temporal perception in music, the ways that music can suspend and dilate a moment in time and make it seem to last forever, or compress time in a way that hurtles our consciousness along with it.
As Berger notes,
The human brain, we have learned, adjusts and recalibrates temporal perception. Our ability to encode and decode sequential information, to integrate and segregate simultaneous signals, is fundamental to human survival. It allows us to find our place in, and navigate, our physical world. But music also demonstrates that time perception is inherently subjective—and an integral part of our lives.
In the article, he deconstructs and examines several passages from Schubert's String Quartet in C Major to consider how, exactly, a master composer--that is, one who shapes a listener's conscious experience through the temporal manipulation of pressure waves--uses music to influence our perception of time, and what expressive effect that can have.
It's a terrific, thoughtful piece with some excellent examples. Please enjoy here.