Tonight at the State Theater in Modesto, California: Opera Remix, from Townsend Opera. You can read all about it on the Remix webpage, but this event is a major foray into the real world for the Loose Filter philosophy (disclosure: I'm Creative Consultant for this project with the opera company...so any similarities are not coincidental at all).
Here's a clip from the reading rehearsal last night with orchestra only, playing Jonathan Newman's setting of Here Comes the Sun:
Enjoy a couple more rehearsal clips here (of Summertime and Baba O'Riley) from a playlist that includes gems from Mozart, Puccini, Gershwin, Led Zeppelin, Chicago, Pink Floyd, and more. Keep an eye on the Opera Remix website if this catches your interest, there will be much more video of the event itself posted there soon!
I'll also soon be posting here, in installments, a user-friendly version of the research paper that started things rolling on this extremely innovative project from a wonderful regional opera company. Stay tuned.
Jonah Lehrer writes about how emotional decision-making may be better than rational decision-making when faced with complex choices.
While there is an extensive literature on the potential wisdom of human emotion, it’s only in the last few years that researchers have demonstrated that the emotional system (aka Type 1 thinking) might excel at complex decisions, or those involving lots of variables. If true, this would suggest that the unconscious is better suited for difficult cognitive tasks than the conscious brain, that the very thought process we’ve long disregarded as irrational and impulsive might actually be “smarter” than reasoned deliberation.
Interesting email this morning from Gregory Ruffer, a conductor and doctoral student at Teachers College, Columbia University.
Dear Conductors Guild Member:
I am a doctoral student at Teachers College, Columbia University in New York City, where I am completing my dissertation research under the advisment of Dr. Hal Abeles. The working title of my dissertation is, "The Sinister Conductor: Preceptions and Practices of University Conducting Instructors Toward Left-Handed Students."
One portion of my research involves surveying conductors about their work with left-handed people. I would be most appreciative if you could take 15 minutes of your time to complete my survey. Your input will assure that the data in my dissertation is representative of the largest possible population. Please click on this link to complete the survey:http://www.surveymonkey.com/s/left-handed-conductor-training.
Really thought-provoking post from Nico Muhly on the difficulty many composers have acquiring recordings of their own works, and how having access to those recordings can be an extremely valuable learning experience. The discussion continues in the comment thread, and it is worth a read.
I remember a composer actually having to email me and ask me to return promo CD because he didn't have permission from the orchestra that performed one of the pieces to distribute it.
A fugue is a more complicated game; but it can be broken up by a single sound, say, from a fire engine.
from 45' for a Speaker