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June 2011
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John Cage Quote of the Day 12

QUESTION: To repeat the question I asked a moment ago: don't you ever feel betrayed by different performances of the same piece?

J.C.: I am going to tell you a story. One day, around 1940, a musician, a pianist, phoned me to say that he was coming from South America, where he had played The Perilous Night, and he wanted me to hear it. He wanted to know what I thought about it, no matter what the cost. So, I went to his studio, and he banged out a Perilous Night that was perfectly horrible! At that moment, I would have preferred never to have written The Perilous Night! In the years that followed, when pianists came to me while my works were not yet published, I advised them especially not to play The Perilous Night. And then, by chance, in the course of a tour in the southern United States - it was at a university, I believe - another pianist said to me: 'I play your Perilous Night, and I would like you to hear it.' I replied that I did not want to. He insisted. I ended up letting myself be convinced, and I followed him to his piano. I listened. It was marvelous.

from For the Birds


Rapture

Rapture is one of Anna Clyne's very cool electroacoustic pieces. Clyne is currently co-Composer in Residence with the Chicago Symphony.

Rapture by annaclyne

Allowing other folks to embed your music on their sites is a savy move.


Adams on Son of Chamber Symphony

John Adams talks about Son of Chamber Symphony via the London Sinfonietta's YouTube page. As a bonus, here's Stuart's great Listening Guide to Adams' original Chamber Symphony, one of Loose Filter's all-time most popular posts.


Good Programs: Brahms Unbound at the LA Phil

Gustavo Dudamel conducted some very cool programs with the LA Phil as part of its recent Brahms Unbound festival. I've always found it difficult to build really compelling programs around Brahms' symphonies because they are so thematically, harmonically, rhythmically, and texturally rich that not many works are both different enough to compliment them and strong enough stand on their own. The Dude does a nice job, though. Here are two concerts that I think worked particularly well.

Continue reading "Good Programs: Brahms Unbound at the LA Phil" »


Filter bubbles - pt. 2

In a previous post I talked about the filter bubble I've created for myself in terms of my classical music world view, and resolved to search out other voices that would add to a mostly one-sided discussion. It's been tough because there aren't many folks outside the classical music world writing about it, but here are a few interesting perspectives.

MetaFilter - classical music is not a big discussion topic on the blue, but a few posts have generated some great discussions and sobering perspectives. For example, from this thread:

Great orchestra sounds incredible, and is an experience not to be missed; no doubt. But am I sad that a member of the orchestra gets paid only $40k for their part time work doing something that they love, which is about what the average full time American makes? Not exactly. Is it right to think that Joe Cellist is a truly fundamental piece of any given local music scene? No. - felix

 

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